Movies:
Borat with Sacha Baron Cohen. I laughed a couple of times in this movie but came out of it really unhappy with it. Its critique on American subcultures is laudable, but even that doesn’t save this film. It’s terribly and uncomfortably racist, Baron Cohen himself is Jewish but that doesn’t magically not make it racist (one might draw a parallel to Bamboozled). Not to mention the insulting depiction of Kazakhstan. If they had executed this with a shred of decency the deception of the documentary might be excused as investigative journalism, shedding light on bigotry and racism, as his defenders claim. Instead, it’s just vulgar and mean.

Lady in the Water with Paul Giamatti and Bryce Dallas Howard. Self-indulgent tripe is a phrase that comes to mind when talking about this movie. Shyamalan doesn’t appear to have ever been quite all right in the head, but his latest movies are just getting weirder and weirder. First off, a movie inspired by a bedtime story you tell your kids isn’t a good movie plot, no matter what you think. Second, casting yourself as a visionary in your own story is really tacky. And third, if you’re going to use themes, archetypes and symbolism in your films (and who doesn’t?) don’t be so damn blatant about it. You’d think he forgot the movie isn’t just going to be watched by his kids.

The Producers with Nathan lane, Matthew Broderick and Uma Thurman. I liked this, actually. I had heard nothing but good things about it, but you know how that can sometimes go with movies. It’s lighthearted, in that wonderful Mel Brooks kind of way. I’m still not enough of a fan to be singing along to it, but maybe that takes a second viewing. One thing I had wondered though: is Ulla, with her attitudes towards sex, perhaps a play on the Swedish word “knulla” (to fuck)? Is that giving the writers too much credit? But then again, there are a lot of other stereotypical Swedish names to choose from.

Pirates of the Caribbean: Dead Man’s Chest with Johnny Depp and Keira Knightley. Instead of reviewing this in my own words, I think this guy has pretty much nailed it.

Old School with Luke Wilson, Will Ferrell and Vince Vaughn. For a movie I’ve heard so much about, I was kind of let down. It’s entertaining but not exceptional in its genre. Maybe the expectations were too high, I dunno. I’d bet there would be quite a few people who would love the idea of an age-free fraternity that’s not necessarily affiliated with students. If you strip away the humor of it, I thought the characters were kind of sad. They’re completely immature and selfish and too preoccupied with reliving their past. In that vein, given the recurring themes in Vince Vaughn’s movies, I wonder if he isn’t type cast.

Eternal Sunshine of the Spotless Mind with Jim Carrey and Kate Winslet. This is one of those rare movies whose reputation is justified in my eyes. Though weird, it’s definitely good to see the analysis of how experience and memories, even (especially?) unpleasant ones shape our lives. I’m also in favor of the ambiguity of the ending, anything less would have only hurt the story. I’m more curious about the notion that people are prone to repeating their mistakes over and over again if they lose their memories of those mistakes. I think that in the case of the staff members that would be more likely, but the chance meeting of Joel and Clementine seems a much more difficult thing to repeat. Plus, since the erasure also affects memory triggers as well as the memories themselves, I wonder if one erased memories of someone they met in high school if they would also forget most of their high school experiences. Would they forget everything they learned as well, or would they inexplicably know Spanish or something? Come to think of it, the movie kind of reminds me of Knights of the Old Republic, for those who have played it.